Good-Latimer Underpass
In June 2006, I visited the Good-Latimer Underpass on the edge of Deep Ellum in Dallas, Texas, to photograph the murals covering its walls and supporting structures. What began as an effort to document the artwork became a closer exploration of the individual murals, their colors, subjects, and artistic expression.
I chose to photograph around noon, when the summer sun was high and bright. This collection does not represent every mural. Some panels, particularly those deep inside the tunnel, were too difficult to access and photograph.
The artwork was arranged in adjoining panels, each with its own identity while contributing to a larger visual environment. I photographed the individual works, sometimes including portions of neighboring panels, while also capturing wider perspectives that placed the underpass within the surrounding Dallas cityscape.
The murals reflected a remarkable variety of artistic voices, ranging from whimsical characters and bold graphic lettering to more contemplative and provocative imagery.
Later in 2006 and into 2007, the underpass was demolished to make way for DART’s rail expansion. The murals disappeared with the structure.
These photographs preserve a moment in Dallas history and the creative expression that once occupied this urban space.





























